I Speak to Him Every Day: Nader Saeivar on ‘Hijamat’ and Premiering It Without Jafar Panahi (2026)

The Power of Storytelling: 'Hijamat' and the Art of Self-Reflection

In the world of cinema, some films go beyond entertainment, delving into the depths of human experience and sparking profound introspection. 'Hijamat', a family drama set to premiere at the 60th Karlovy Vary International Film Festival, is one such cinematic masterpiece. Directed by Nader Saeivar, the film promises to be an emotional journey, exploring themes of personal transformation and the liberation that comes from questioning long-held beliefs.

A Cinematic Journey of Self-Discovery

Nader Saeivar, an Iranian writer and director, has crafted a deeply personal narrative with 'Hijamat'. The film marks a significant shift in Saeivar's creative trajectory, moving from social activism to an exploration of the roots of societal issues. In his own words, the film mirrors his life journey, particularly his move from Iran to Berlin, which led to a profound reevaluation of his beliefs.

What makes this film particularly intriguing is how it uses a specific cultural practice, 'hijamat' or wet cupping, as a metaphor for the purging of toxic thoughts and rigid beliefs. Saeivar believes that these mental barriers, whether religious dogmas in the East or glorified memories in the West, hinder personal growth and freedom. This unique perspective adds a layer of depth to the film, inviting viewers to reflect on their own mental walls.

The Impact of Personal Experience

Saeivar's personal experiences, especially his realization about the Iran-Iraq war, serve as a powerful catalyst for the film's themes. It's a stark reminder of how deeply ingrained beliefs can shape our perceptions and actions, often leading us astray. The director's ability to question and break free from these beliefs is a testament to the power of self-reflection and the courage to challenge societal norms.

The choice of Kida Khodr Ramadan as the protagonist is also fascinating. Saeivar's analogy of conquering a village by first seeing the mayor highlights his strategic approach to storytelling. By having Ramadan, a well-known figure in the Turkish and Arab community, as the lead, Saeivar ensures a deeper connection with the audience, making the film's message more accessible and impactful.

A Friendship Across Borders

The friendship between Saeivar and Jafar Panahi, his long-time collaborator, is a compelling subplot. Despite Panahi's absence from the premiere due to travel restrictions, their bond remains strong. Saeivar's daily conversations with Panahi, who is facing legal troubles in Iran, reveal a deep connection that transcends physical boundaries. This friendship adds a layer of emotion to the film's journey, emphasizing the power of human connection in the face of adversity.

Cinematic Therapy

'Hijamat' is more than just a film; it's an invitation to self-examination. Saeivar's belief that everyone needs 'hijamat' to rid themselves of mental barriers is a powerful statement. It encourages viewers to confront their own rigid beliefs, whether cultural, religious, or personal, and consider the freedom that lies beyond.

The film's exploration of a Muslim family's struggle with their son's sexuality in the context of religious beliefs is both timely and daring. It challenges societal norms and encourages acceptance and understanding. This theme, combined with the film's broader message of self-reflection, makes 'Hijamat' a must-watch for anyone seeking to explore the complexities of the human condition.

In conclusion, 'Hijamat' is a cinematic masterpiece that goes beyond storytelling. It's a call to action, urging viewers to embark on a journey of self-discovery, to question their beliefs, and to seek the freedom that lies beyond mental barriers. Personally, I find this approach to filmmaking both refreshing and necessary, as it engages audiences on a deeper level, leaving a lasting impact that extends far beyond the theater.

I Speak to Him Every Day: Nader Saeivar on ‘Hijamat’ and Premiering It Without Jafar Panahi (2026)

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